{"product_id":"emblema","title":"Emblema","description":"\u003cp\u003e\u003cstrong\u003eRubem Valentim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePintura C\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1967\u003c\/p\u003e\n\u003cp\u003eArtist Proof Serigraph\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cspan class=\"s2\"\u003e\u003cbr\u003e25 × 19 in. (63.5 × 48.3 cm)\u003cbr\u003eFramed: 32½ × 26 in. (82.6 × 66 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInscribed by the artist who gifted the artwork to Art Historian Mario Barata and his wife Tiziana. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBrazilian art critic and historian \u003cspan class=\"s2\"\u003e\u003cb\u003eMário Barata\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e, a pioneering scholar of African and Afro-Brazilian art, was an early supporter of Rubem Valentim’s work. This dialogue gained particular resonance around Valentim’s participation in the \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eFirst World Festival of Negro Arts in Dakar in 1966\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e, his first encounter with Africa and a pivotal moment in the development of his symbolic visual language.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rubem Valentim","offers":[{"title":"Default Title","offer_id":49729426653339,"sku":null,"price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2659\/8018\/files\/IMG_8454.jpg?v=1791501580","url":"https:\/\/haslauer.art\/products\/emblema","provider":"HASLAUER","version":"1.0","type":"link"}